Will Rogers on Good Musical Judgement and Experience
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“Good judgment comes from experience, and a lot of that comes from bad judgment.”Will Rogers
Flash forward a few years or decades, and we can imagine ourselves as mature musicians. What does “mature” mean here? It means we’re able to use good judgement. We make good musical decisions. And we learn pieces effectively.
As mature musicians, we’ve gained many methods, formulas and tricks. We know how to solve the problems in our music. We can practice so that we improve. We have rich webs of context for near anything we encounter in pieces.
And as mature musicians, we play so that music sounds good.
We know, or can figure out, the perfect rate at which to slow down or speed up. We can swell and fade in ways that sound inevitable, but still surprise. We play the notes so that listeners understand the emotional content of the music.
So how to we get from here to there?
We need experience. And not just any experience. (Many people play guitar for decades, but still wouldn’t describe themselves as “good”.)
We need experiences we can learn from. And we need them often. We need for our daily practices to challenge us. We need to strive and grow.
So how do we practice for such improvement?
Practice should not feel easy. It can be fun, rewarding, and engaging – these are wonderful. But ideally we ride the razor’s edge of hard, but not too hard.
At first, it may feel strange to wildly exaggerate volume changes. We may feel funny or a little exposed clapping and counting rhythms aloud[. We may feel sheepish and unsure enlivening them with character and attitude.
But when we step out of our comfort zones and try new things, we learn. And this pulls us forward. We witness our own progress and growth.
We gain confidence, both in our abilities and in experimentation.
This compounds over time, and we connect the dots. As time passes (which it tends to), we find we’re exploring ever new frontiers of music. We discover new angles and nuances. And our worlds become ever richer.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
Since a year ago with my subscription to CGS it has been for me a pleasurable adventure and a discovery of all the facets of the classical guitar.
Your dedication and enthusiasm, as well as your talent, in the tuition is quite contagious (well, lets hope also for your talent) and has made it fun and useful in my progression. Also the weekly tip that you mail us and the Facebook group is excellent.
Greetings from the UK. I would like to thank you for providing such an excellent resource. The effort and skill which has gone into creating this program is very evident. I started classical guitar a year or so ago with a teacher but was unable to commit to same time regular slots each week.
The Woodshed Program was exactly what I was looking for. I have found the site very intuitive and well structured and have taken your advice and started from the very beginning of the program whilst still practising some of the pieces I was already working on. It is clear that I will benefit greatly from these early technical studies. There were clearly weaknesses and gaps in my knowledge even though I am still at an early stage. Once again many thanks for the program and very best wishes.
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