schumann easy guitar practice
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Composer Robert Schumann on How to Play Well and Avoid Mediocrity

Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!]


“Try to play easy pieces well; it is better than to play difficult ones in a mediocre style.”

Robert Schumann


It’s perfectly natural to want to play harder and harder pieces. And indeed, we should always challenge ourselves in practice.

But we have many types of challenge.

One area of increasing challenge is speed. Another is note-density (thicker chord textures and voicings). Yet another involves the physical demands of shifting around the entire instrument.

We can tackle these more obvious challenges, and should. However, the notes don’t make the music. We do.

Music cannot speak for itself. We the musicians breathe life into music. It’s a collaboration between composer and performer. (Just as with architect and builder, writer and orator, manager and maker.)

We take the simple dots on the page and create the sounds that trigger an emotional response.

And we do this using skill and intention. We connect notes smoothly. We get louder and softer. We bring some notes forward and others to the background. We stretch and compress time.

These are the musical elements that take music from mere notes to something more. This is where we find humanity and meaning in our daily practice.

But we can’t do this more musical work if the notes take all our attention. Instead we can stay with “easier” pieces longer and do this different work with them.

In time, if we’re patient, we will play the difficult pieces. But instead of playing them, as Schumann warns, “in a mediocre style”, we’ll play them beautifully.

This only happens if we build the skills. And we learn the skills on the easier pieces.


“Try to play easy pieces well; it is better than to play difficult ones in a mediocre style.”

Robert Schumann




allen mathews classical guitar

Hi, I’m Allen Mathews. 

I started as a folk guitarist, then fell in love with classical guitar in my 20’s.  Despite a lot of practice and work with teachers, I still couldn’t get my music to flow well.  I struggled with excess tension.  My music sounded forced.  And my hands and body were sore after playing.  I was frequently frustrated, and couldn’t see the way forward.  Then I studied with two stellar teachers –  one focused on the technical, and one on the musical.  In time, I came to discover a fundamental set of formulas and movements. These unlocked my playing, and brought new life and enjoyment to my practice. Now I help other guitarists find more comfort and flow in their music, so they play more beautifully.


Hello Allen,
I feel my guitar proficiency is improving considerably. Every day I’m exceedingly comfortable with my right hand technique and overall fluency. And my sight-reading has improved as well. Thank you for creating the Woodshed. It’s thoughtful construction and scope and sequence of knowledge and skills has advanced my guitar skills significantly. I can’t wait to see what the future holds.


-Michael Immel

Hi Allen,
Greetings from the UK. I would like to thank you for providing such an excellent resource. The effort and skill which has gone into creating this program is very evident. I started classical guitar a year or so ago with a teacher but was unable to commit to same time regular slots each week.

The Woodshed Program was exactly what I was looking for. I have found the site very intuitive and well structured and have taken your advice and started from the very beginning of the program whilst still practising some of the pieces I was already working on. It is clear that I will benefit greatly from these early technical studies. There were clearly weaknesses and gaps in my knowledge even though I am still at an early stage. Once again many thanks for the program and very best wishes.


-Rodger Paylor


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