Nietzsche’s six steps to guitar mastery
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“He who would learn to fly one day must first learn to stand and walk and run and climb and dance; one cannot fly into flying.”
One of the biggest lessons I’ve learned from teachers is this:
The end result is only as good as the quality of each step in the process.
We don’t play “music”. We play one note or chord. Then we play another note or chord. And again and again until we look up and a full piece has gone by.
A well-played piece is actually a series of well-played moments. It can’t be any other way.
And in our guitar practice, we develop. We learn. We train. We ingrain.
We only play as well as we can play. And to reach new heights we must climb. There’s no skipping ahead. Any part skipped is a hole that will trip us later.
We first stand, then walk. Then to the next step, then to the next. Each in its turn, one after another. With both an eye to the peak, and focus on the current step.
Of course we want to “fly”. That’s why we show up each day. But to get there, we have to first be here, and give full attention to the task at hand.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
Allen: Just wanted you to know I have thoroughly enjoyed The Woodshed program. I'm in Level 1C and love how every part works together. It has improved my "general" playing already.
I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.
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