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Nassim Nicholas Taleb on the Theory of Theory


Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!


“Theory is too theoretical for humans.” 

Nassim Nicholas Taleb


The words “music theory” can evoke a wide range of responses in guitarists. Some folks spark up and get curious. Others feel reverent, as if standing before an ancient text of wisdom.

And others feel confused and overwhelmed.

So it leads to the logical question: Do we need to learn music theory?

And this question is valid. But it’s not the only question. Follow-up questions are: When? and Why?

Music theory is all about context. It gives language to the relationships between notes and chords.

And the more advanced and mature we become as musicians, the more we can appreciate and use these contexts.

However, at the beginning of the musical journey, music theory can be TMI (too much information).

When we first learn to drive a car, we don’t need to know how fuel injection or disc brakes work. It’s not necessary, and we won’t use the information.

Instead, we focus on the skills used in driving. We keep our attention on what is practical for the current stage of learning.

Later, we can enrich our understanding as we navigate more complex paths. Or not, as we choose.

It’s the same in music. Music theory is a conceptual construct. We create this to better understand how music is put together. And as we advance, we can learn to use what we know to make musical decisions.

Music theory can help us shape our phrasing and expression. It can help us memorize music more quickly.

But music theory alone does not make a musician. First, we need our fingers to do what we tell them. And this takes intentional physical practice.

Scott Young, in his book, Ultralearning, writes: As the saying goes, “In theory, there is no difference between theory and practice. But in practice, there is.”

So should we study music theory? Yes, eventually. But as well as, not instead of, physical practice.








Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.




I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.

 

~ Brian Davey


-Brian Davey

For the first time ever, I have achieved great tone on my acoustic guitars. I've been studying fingerstyle guitar and music theory for about one year now. Tonight is the first time, I feel quite satisfied with my ability to produce a nice clear tone when striking the strings with my right hand fingers. By following your training videos in the program, I'm gradually developing my fingerstyle playing ability. KUDOS to you, Allen Mathews.

 

~ Joaquin Kenyon


-Joaquin Kenyon



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