Krispy Kreme on balanced practice
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
Doughnuts are a normal part of a healthy, balanced diet.
Brooke Smith, Krispy Kreme spokeswoman.
Vegetables, proteins, doughnuts. Now there’s a food pyramid to get behind!
As ridiculous as this quote sounds, there’s actually some deep truth within it. Or at least when we use it as a metaphor for guitar….
In our musical lives we have 2 main elements: practice and play.
- Play is for fun.
- Practice is to get better.
Too much play, and we find ourselves in a rut, doing the same things over and over.
Too much practice, and we risk feeling overworked and underpaid.
Practice should focus on solving specific, timely problems:
- master this right-hand pattern,
- connect these notes smoothly,
- switch between these chords in rhythm,
Practice is work. It demands focus and concentration. It takes all our attention, discipline and willpower.
And that’s great. Life is more meaningful with a challenging pursuit. Days are more satisfying when we get in a good, deep practice.
But sometimes we just need a doughnut.
All work and no play makes Jack a dull boy. And sometimes, the best course of action is to let go of all practice concerns and just take the guitar out for a spin.
- Play some old tunes at top speeds, never mind the mistakes.
- Strum and sing a song.
- Sight-read music you have no intention of learning.
- Lean back on the couch with legs crossed and noodle around.
- Do all the things we work so hard not to do in practice.
Just as doughnuts are a normal part of a healthy, balanced diet, goofing off and tinkering around are healthy parts of a balanced guitar practice. Maybe not every day, but when we feel the craving, there’s no harm in caving.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
I just want to thank you for your lessons. You are helping us to understand how a piece is composed, the parts to analyze and how to do it. You are teaching a lot about how to read and play, and the most important part: PLAY with the music and ENJOY it.
Allen: Just wanted you to know I have thoroughly enjoyed The Woodshed program. I'm in Level 1C and love how every part works together. It has improved my "general" playing already.
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