J.R.R. Tolkien on Precision, Accuracy and Consistency in Guitar Practice
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“The hasty stroke goes oft astray.”J.R.R. Tolkien
Playing too fast – this is the bane of most of our guitar practices. It’s easy to do. It takes discipline and awareness to avoid. It feels good in the moment, but yields poor results over time.
So how do we slow down in practice? While it sounds simple, it’s not necessarily so.
The key to high-quality slow practice is specificity. When we focus on specific things, we change the level of our listening.
When we play fast, we listen to the gestalt of our music. And as such, small mistakes slip by unnoticed.
But instead we can slow down and focus on specific goals. And when we do, we slow time.
On what should we focus? Anything. Everything. Just one at a time:
The connection of each note to the next
The volume of each note in relation to the one before
The placement of our left-hand fingers behind the frets
The movement of our right-hand fingers through the strings
The difference in volume between the melody and bass notes.
The feeling of the string under our finger
Anything specific will do. When we get curious about a single element, we are pulled to slow down. Otherwise, we can’t focus on it.
And this is the way to better guitar technique. It’s the way to more expressive playing.
We cannot play a piece of music – we can only play one note, then another. And after the sequence is done, what happened happened.
The quality of our playing is determined by the level of awareness we have of each moment in turn.
When we slow down and put the microscope of awareness onto our playing, we improve. We find challenging opportunities for growth.
This is timeless knowledge, shared in many ways:
“Slow is smooth, and smooth is fast.”
“Haste makes waste”
“Mind the pennies and pounds take care of themselves.”
But common knowledge is not common practice.
Each day, when we sit down to play, we have to manage our own attention and energy. We can be mindful and inquisitive, or we can be hasty and careless.
Which will it be today?
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
As I said before, I think your site is outstanding. I have spent my life teaching adults difficult stuff that they really wanted to learn but didn't have the time to learn at the speed we teach university students. Thus I understand only too well how many hundreds of hours you must have spent perfecting your lessons to make my learning as quick and easy as possible.
I also want to thank you for including more video lessons on the Bridges Guitar Series. I have learned to play Calatayud's Waltz. The most exciting thing about having done this is that I sight read the entire piece as I was learning it. Six months ago looking at a sheet of music was like looking at Egyptian hieroglyphics. Learning to read notation is empowering and I appreciate the sensible way you are teaching us to learn to read music.
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