Ralph Waldo Emerson on Failing and Rising Again in Guitar Practice
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!
“Our greatest glory is not in never failing, but in rising up every time we fail.”
Ralph Waldo Emerson
As practicing musicians, one of our jobs is to fail. We challenge ourselves. We push our limits. We experiment and tinker and play “what if…”.
The upside is that we learn what works and what doesn’t. We get stronger, faster, better.
But the downside is that we face failure. And not just once, but over and over again.
If our attitude remains one of learning and enjoyment of the process, we stay upbeat and optimistic. It’s all a grand game.
But if we take the failures personally, or generalize them (thinking, “I’m just not cut out for this…”), then we’re in trouble.
Many players begin to learn guitar, then quit. It just seems too hard – too hard to learn, too hard to find the time, too hard to focus.
But what they may not realize is this: most of us feel the same way. Most of us have a hard time with consistency, retention and focus. And most of us think progress and results should come much faster than they do. It’s normal.
What separates those who stay with it from those who don’t is that they accept it. They keep going anyway.
Will Rogers said, “Don’t let yesterday use up too much of today.”
Even if we had a difficult practice, or we skipped practice for several days (or decades!), we can still start fresh today. We can, as Emerson said, “rise up” and go back at it. This willingness to show up is our greatest personal glory.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
I also want to thank you for including more video lessons on the Bridges Guitar Series. I have learned to play Calatayud's Waltz. The most exciting thing about having done this is that I sight read the entire piece as I was learning it. Six months ago looking at a sheet of music was like looking at Egyptian hieroglyphics. Learning to read notation is empowering and I appreciate the sensible way you are teaching us to learn to read music.
Your GCS site and The Woodshed community are really super! I am glad I finally joined in, and smacking myself for waiting so long. Thanks again!
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