David Russell on mastering difficult music
In any field, the masters often praise the value of the basics. We can reach higher heights when we build on solid foundations.
In guitar, we have our right- and left-hand movements, the way our hands synchronize, our practice skills, our focus and selective attention.
In addition to his concert touring schedule, David Russell records a new album of classical guitar pieces at the rate of almost one per year. This means he’s always learning and polishing new music.
And part of getting that much music up to speed is solving problems.
For masterful problem-solvers, the process involves simplifying. Break the complex problem into smaller problems, and look at them one at a time.
On guitar, this means resisting the urge to play through a passage over and over, and instead work on the smaller issues within the passage.
For any tricky spot, we may have a left-hand shift, a chord change, an awkward right-hand fingering and more. And with all these layered challenges, we also need to stay aware of the melody, rhythm and any other musical elements.
And with all this happening in less than a second, it becomes extremely complex and detailed.
So the answer is to separate the issues: the left hand alone, the right hand alone, the melody, the bass, the rhythm, one note leading to the next.
When we break a musical challenge into its elements, we can ensure that we are aware of all the details of each element. Then, when we reassemble the parts, the problem has often “magically” disappeared.
This is why one of the most powerful questions we have in our practice is, “What’s going on here?”
We can slow down and increase our levels of awareness. And with focused practice, what did seem impossible now becomes a choreography of a few simple steps, performed one after the next.
“Most difficult or complex things are really two or three simple things put together.”
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
I also want to thank you for including more video lessons on the Bridges Guitar Series. I have learned to play Calatayud's Waltz. The most exciting thing about having done this is that I sight read the entire piece as I was learning it. Six months ago looking at a sheet of music was like looking at Egyptian hieroglyphics. Learning to read notation is empowering and I appreciate the sensible way you are teaching us to learn to read music.
Hi Allen, I am thoroughly enjoying your website and I find it is just what I need in my renewed passion for classical guitar. I have rediscovered a great love for this instrument and the music I can learn and play and it has changed my life for the better dramatically! Thank you facilitating this process.
Click the button to take a step towards an
organized, effective guitar practice. >>>