Daniel Coyle on the “Sweet Spot” in Guitar Practice
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!
“The sweet spot: that productive, uncomfortable terrain located just beyond our current abilities, where our reach exceeds our grasp. Deep practice is not simply about struggling; it’s about seeking a particular struggle, which involves a cycle of distinct actions.”
Mountains of research now show how to learn music effectively. We need our practice to be hard, but not too hard.
In his book, The Talent Code, Daniel Coyle names a key ingredient to the learning “sweet spot”. The key is “uncomfortable”.
In our practice, we need to constantly search for that zone just beyond our current abilities.
If we push too far, we become disillusioned and frustrated. If we don’t push far enough, we become bored and frustrated.
So how do we find this “sweet spot”? And how do we know when we’re there?
To answer these questions, we need to find clarity in our current task. Whatever we’re practicing in the moment, we need to know exactly what we’re trying to do.
For each step forward in speed, cleanliness, or mere comprehension, we can break the work down into ever-smaller steps.
And for these small steps, we need to know the moves involved (the choreography). We need to know how one note connects to the next. We need to know what success looks like.
Within these small challenges, we seek out the pace and work that takes all our focus and awareness. We can do it, but it’s not easy. We can do it only if we give our full attention.
Riding this wave – “I can do it, but it’s hard” – is the sweet spot. Sometimes it feels leagues from the final finished piece. Sometimes the steps forward are so small we question the whole affair.
But as long as we’re balancing on the edge of our abilities, we’re getting better.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
For the first time ever, I have achieved great tone on my acoustic guitars. I've been studying fingerstyle guitar and music theory for about one year now. Tonight is the first time, I feel quite satisfied with my ability to produce a nice clear tone when striking the strings with my right hand fingers. By following your training videos in the program, I'm gradually developing my fingerstyle playing ability. KUDOS to you, Allen Mathews.
I appreciate the organized, well thought out progression of each level, as well as a measurable means to determine when to proceed to the next level. I had burned myself out by pushing too hard and playing beyond where I was comfortable. This course is just what I needed, and I am happy to be back on the road to playing again.
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