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Christopher Parkening on Playing Music Beautifully (and missing notes)


Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!


“As my father used to tell me growing up, ‘Play it beautiful, play it beautiful.’ He said, ‘I don’t care if you don’t hit all the notes. If you don’t move a person’s heart, it’s not music.’ ”

Christopher Parkening

“Play it beautiful.” What does this mean? Are we expected to conjure a flood of emotion as we cramp under barre chords and wide stretches? And does our personal emotion guarantee a beautiful performance anyway?

No and no. Emotion is more a product of beautiful playing. It can be a creative influence on our musical decisions. But the decisions make the music beautiful.

Beautiful music, music that moves the heart, is not magic. It’s not witchcraft or supernatural phenomena.

Beautiful music uses the tools we have available: volume, rhythmtone quality. And each of these are under our control, regardless of our personal feelings in the moment.

The musical decisions we make include these elements.

We decide when to get louder, and how loud to get. We decide when and how much to slow down or speed up. We connect our notes well.

As we progress as musicians, we get better at making these decisions. It’s easy, like beginning actors, to misjudge what is needed in the moment.

And beyond making the musical decisions, we must also demonstrate them. We must play them so that a listener will hear them and understand. It’s a game of show-and-tell.

Some music is difficult. Some music we don’t understand. Here, we may become preoccupied with playing the notes. We may move the line of success from “beautiful” to “clean.”

And we should strive to play cleanly. To play without major mishap is a noble feat in itself. But this alone will not make the music beautiful.

The only way we can share beautiful music with others is to make decisions, practice them, and demonstrate them.

Sometimes, this puts “clean” at risk. The musical decisions may add to the complexity and challenge. Or they may simplify them.

So we need courage and priorities. We must be willing to sacrifice our safety and security for something more.








Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.




Allen Mathews was recommended to me as somebody who could help me expand my guitar vocabulary.  Allen started me on a really fun cycle of lessons and practice.  He is a very good,and very enthusiastic teacher, and I feel that I'm on the road to learning.  I couldn't be more pleased with my experience.


-Peter Buck (r.e.m.)

Allen, your website and teaching methods are excellent. You have an easy going yet encouraging way of inspiring people to learn and practice their art. And you are always accessible to your students to personally answer questions. I appreciate ... that personal touch. The course on reading rhythm and playing higher up the neck I found particularly helpful. God bless you and many thanks.


-Joe Bazan



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