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Bruce Lee on Why Goals Matter in Guitar Practice


They say that travelers on foot on snow-covered plains will throw a stone in the direction they want to go. Then they walk toward it. When they get there, they throw it again.

With the white stretching far in every direction, they could easily veer off-track and not know it. The stone gives them a respite from wondering. Instead of making a new decision with every step, they navigate only when they throw the stone.

In a land with no real landmarks, they create their own.

On guitar, we have infinite destinations we could aim for. But we often veer off-track before arriving. We become distracted by the next piece, the new exercise, the shiny new technique.

When this happens, we become confused. We sit down to practice and aren’t quite sure what to do. We dabble with this, then that, all the time wondering if we’re making any progress.

Pieces of music, target speeds for scales or exercises, a formal method or program – these all give our practice structure. These goals serve as landmarks to keep us on the path and moving forward.

Even if we don’t finish the piece of music, or reach the target speed, we still benefit from focused practice. And when we know what to do in advance, we can settle in and put our best attention on our work.

And attention and focus are the mechanisms by which we grow as musicians.

 


“A goal is not always meant to be reached, it often serves simply as something to aim at.”

Bruce Lee









Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.




I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.


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I have to say after over 12 months of one-on-one training with a teacher before joining The Woodshed, this is the first time that I feel I’m making technical progress.


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