Bruce Lee on Hacking Away on the Unessential
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!
“It’s not the daily increase but daily decrease. Hack away at the unessential.”
What is essential in music? Answer: the following two questions:
- What is the pitch, duration, volume and tone quality of the next note?
- How do I make that happen?
The first question defines our musical understanding and intention. It begins with questions of “What note is this and where do I play it?” And it leads to more advanced concepts of phrasing and interpretation.
The second question speaks to our ability and technique. This is the physical act of playing each note.
Each contains infinite opportunities for study and growth.
To streamline our practice, we can spend time on what matters. We can focus on the core fundamentals of playing our music:
- How we use our minds (focus, awareness, intention)
- How we use our body (form, positioning, movement)
New exercises and pieces don’t magically bestow new abilities or techniques. They are simply tools to expand and challenge our current understanding and execution.
When we use them as such, they are helpful. But they stall progress when they in themselves become the point.
If we use our mind to direct our body, any exercise or piece of music will bring us forward. We can use new additions to challenge our core skills.
But our essential goals are to deepen our understanding and hone our execution.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.
Allen: Just wanted you to know I have thoroughly enjoyed The Woodshed program. I'm in Level 1C and love how every part works together. It has improved my "general" playing already.
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