bob ross guitar practice
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Bob Ross on Talent and Practice

are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!]


“Talent is a pursued interest. Anything that you’re willing to practice, you can do.”

Bob Ross


Many of us grew up believing that “talent” is something you either have or you don’t. It’s something some lucky people were born with. The rest of us “just aren’t talented.”

But talent is a myth. It’s a fancy word describing the outcome of practice.

A musician playing note-perfect Bach has “talent”. But even if we tie the most perfect knot, no one will ever tell us we have a “talent” for tying shoes. We do it well because we’ve done it enough times to master the skills involved.

Music is the same. If we put in time, we get better. This is true for us all.

That said, some people do seem to have an easier time of it than others.

The people for whom it seems to come more easily are likely very interested in it. They are curious. They ask questions and seek answers.

This heightened engagement makes each lesson come quicker. It makes practice more fun. It leads to more practice, and quicker improvement.

The key to steady growth on our instruments is interest. As long as we stay engaged, we build the skills needed to meet new challenges. These new challenges pique our interest, and a virtuous cycle is born.

Instead of holding back because we lack “talent”, we can instead take responsibility.

We’re either interested and engaged or we’re not. If it’s something we’d like to do, then our job is to get interested and get engaged.

And we do this by looking closer at the details, asking questions, and trying new things.


“Talent is a pursued interest. Anything that you’re willing to practice, you can do.”

Bob Ross




allen mathews classical guitar

Hi, I’m Allen Mathews. 

I started as a folk guitarist, then fell in love with classical guitar in my 20’s.  Despite a lot of practice and schooling, I still couldn’t get my music to flow well.  I struggled with excess tension.  My music sounded forced.  And my hands and body were often sore.  I got frustrated, and couldn’t see the way forward.  Then, over the next decade, I studied with two stellar teachers –  one focused on the technical, and one on the musical (he was a concert pianist).  In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifullyClick here for a sample formula.


Hi Allen,
Greetings from the UK. I would like to thank you for providing such an excellent resource. The effort and skill which has gone into creating this program is very evident. I started classical guitar a year or so ago with a teacher but was unable to commit to same time regular slots each week.

The Woodshed Program was exactly what I was looking for. I have found the site very intuitive and well structured and have taken your advice and started from the very beginning of the program whilst still practising some of the pieces I was already working on. It is clear that I will benefit greatly from these early technical studies. There were clearly weaknesses and gaps in my knowledge even though I am still at an early stage. Once again many thanks for the program and very best wishes.


-Rodger Paylor

Hi Allen, just wanted to provide some feedback. Since I've started doing the exercises [in The Woodshed program] my guitar is sounding a lot better, with fuller sound, less effort. Its as if I bought a new guitar or got a new pair of hands (or both). Amazing my friend. Thank you!


-Nusret Aydemir


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