Banksy on learning how to take a break
Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!
“If you get tired, learn to rest, not to quit.”
Every part of life has its peaks and troughs. Work, relationships, food, activity, learning – nothing can sustain ecstatic states of euphoria forever.
At some point, the puppy-love wears off. We hit dry spells. Our enthusiasm dims and things seem harder than they used to be.
When things get to the “less fun” stage, we have options.
One of the most common responses is to start something new. Abandon the old and start fresh. This brings the excitement back. We find novelty and feel creative.
But eventually, we’ll enter the trough again. Then we’ll be faced with the same situation and have to make the same choices. Some people spend their whole lives this way. And that’s fine, but it misses out on long-term growth and discovery. Everything stays at surface-level, instead of deepening and maturing.
Instead of quitting when things turn, we can, as the artist Banksy said, “learn to rest”. We can take a step back and regroup.
When we rest, we gather our forces. We reactivate and rejuvenate. We pull back not in weakness, but to wind the spring for the next forward thrust.
We all go through natural cycles that must include moments of repose. We sometimes need rest. It’s not a failing, and it’s doesn’t speak ill of us personally. It’s all part of the game. The important thing is to just rest, and not quit.
What’s your plan for when you get tired? What will you do if you don’t feel motivated to pick up the guitar?
What are your favorite exercises that keep your fingers moving? Are there tunes you love to play, just for fun? Are there recordings that inspire you and remind you why you got into this in the first place? Collect them and go to them when you need a break.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
I just want to thank you for your lessons. You are helping us to understand how a piece is composed, the parts to analyze and how to do it. You are teaching a lot about how to read and play, and the most important part: PLAY with the music and ENJOY it.
Greetings from the UK. I would like to thank you for providing such an excellent resource. The effort and skill which has gone into creating this program is very evident. I started classical guitar a year or so ago with a teacher but was unable to commit to same time regular slots each week.
The Woodshed Program was exactly what I was looking for. I have found the site very intuitive and well structured and have taken your advice and started from the very beginning of the program whilst still practising some of the pieces I was already working on. It is clear that I will benefit greatly from these early technical studies. There were clearly weaknesses and gaps in my knowledge even though I am still at an early stage. Once again many thanks for the program and very best wishes.
Click the button to take a step towards an
organized, effective guitar practice. >>>