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Baltasar Gracian on short practice


Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Find more here. Enjoy!


“Good things, when short, are twice as good.”

Baltasar Gracian


“How lovely it would be to practice all day, every day…”

It’s easy to romanticize long hours of dedicated study.

But most of us don’t have that sort of time. Or we don’t have the energy or mental bandwidth for marathon practices.

If we believe we “should” be practicing more, then our current practice seems inadequate or lacking.

But that’s not necessarily true. Shorter practices are in some ways even better than long ones.

Like exercise and food, there’s a “minimum effective dose” to practice. This is the point after which the benefits are slower in coming. The same amount of work yields fewer results.

As long as we touch on something repeatedly (daily is an ideal), each practice session can itself be short.

Deep learning happens while we sleep. So as long as we “input” information with a few moments of practice, we can reap the benefits of our natural learning systems.

This is why five minutes on scales every day is far better than an hour of scales once a week.

And for most, this is also more enjoyable. Instead of bludgeoning away at our music until our eyes glaze over, we can instead take a few considered passes at it then move on.

This way, we can touch on several things in one short practice. Reflecting back, we feel good because we know we’re moving ahead in many areas. But the overall time was short.

Another benefit of the short practice: better focus. When we allow only a limited time for our practice, we tend to value each moment more. We engage deeper, and this makes learning come more easily.

Like fancy finger food, we can sample a bit of this and a bit of that. We get our fill and stay interested. The whole affair seems light-hearted and fun. And we leave feeling energized and inspired to do it again tomorrow.








Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.




Hi, Allen! I am so excited to have gotten started on your program! I just upgraded to a yearly membership. Thank you very much! You do such great work!


-Linda Hansen

I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.


-Brian Davey



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