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Anne Lamott on the mental landscape of guitar practice


Tuesday Quotes are short explorations of music, life, and the daily endeavor of practicing classical guitar. Enjoy!


“My mind is like a bad neighborhood, I try not to go there alone.”

Anne Lamott


To enjoy a fulfilling classical guitar practice, all it takes is to show up regularly and do the work. When we sit down and focus daily, we gain skills and see improvement over time.

That’s really all there is to it. But we can easily psyche ourselves out.

We may start to think, “I should be improving faster…” or, “This piece should be easy – something must be wrong with me”

These thoughts are Trojan horses that soon have us “forgetting” to practice, or getting too busy with other things. Any thought about where we are in relation to some fantasy ideal is trouble.

We all want to be our best selves. We want to experience mastery. We want to actualize what we believe possible for us on guitar.

But the only way to get these is to sit down and practice. A little bit today, a little bit tomorrow, a little bit the next day.

When we miss a few days of practice, it’s tempting to put a story behind it. We create a meaning, such as, “I’m not cut out for this..” or “I’m too busy.” or “The world is conspiring against my learning guitar!”

But that’s all hokey pokey. As the Bard gives us in Hamlet, “There is nothing either good or bad, but thinking makes it so.”

Part of mastering guitar is mastering our minds. The question is, “What am I focusing on right now, at this moment?” In guitar practice, the answer should be something specific pertaining to our music or the act of playing in that moment.

Otherwise, we’re just distracting ourselves from the work that will get us what we want.


“My mind is like a bad neighborhood, I try not to go there alone.”

Anne Lamott









Allen Mathews

Hi, I’m Allen Mathews. 


I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.




I practised your system for three days, and it solved the I-M alternation problem I had been struggling with since I undertook classical guitar three years ago.  Many thanks!


-Johnny Geudel

As I said before, I think your site is outstanding. I have spent my life teaching adults difficult stuff that they really wanted to learn but didn't have the time to learn at the speed we teach university students. Thus I understand only too well how many hundreds of hours you must have spent perfecting your lessons to make my learning as quick and easy as possible.


-Mike Barron



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