Mauro Giuliani – Free Sheet Music and TABs for Classical Guitar
- Giuliani, Mauro – Op. 48 No. 3
- Giuliani, Mauro – Op. 48 No. 7
- Giuliani, Mauro – 120 Right Hand Studies
- Giuliani, Mauro – Allegretto
- Giuliani, Mauro – Allegretto Grazioso
- Giuliani, Mauro – Écossaise
- Giuliani, Mauro – Etude No. 5
- Giuliani, Mauro – Grand Overture Op. 61
- Giuliani, Mauro – Le Papillon Op. 50 No 1
- Giuliani, Mauro – Op. 100 No. 1 Etude
- Giuliani, Mauro – Op. 100 No. 3 Etude
- Giuliani, Mauro – Op. 48 No. 1
- Giuliani, Mauro – Op. 48 No. 2
- Giuliani, Mauro – Op. 48 No. 4
- Giuliani, Mauro – Op. 50 No. 11
- Giuliani, Mauro – Op. 50 No. 12
- Giuliani, Mauro – Op. 50 No. 2
- Giuliani, Mauro – Op. 50 No. 3
- Giuliani, Mauro – Op. 50 No. 4
- Giuliani, Mauro – Op. 50 No. 5
- Giuliani, Mauro – Op. 50 No. 6
- Giuliani, Mauro – Op. 50 No. 7 Andantino
- Giuliani, Mauro – Op. 50 No. 8
- Giuliani, Mauro – Op. 50 No. 9
- Giuliani, Mauro – Op. 51 No. 1
- Giuliani, Mauro – Op. 51 No. 12 Etude
- Giuliani, Mauro – Op. 51 no. 17
- Giuliani, Mauro – Op. 51 No. 2
- Giuliani, Mauro – Op. 51 No. 4 Etude
- Giuliani, Mauro – Op. 51 No. 5
- Giuliani, Mauro – Op. 51 No. 8
- Giuliani, Mauro – Variations on the Folia of Spain Op. 45
About Mauro Giuliani, Guitarist and Composer
Mauro Giuseppe Sergio Pantaleo Giuliani (27 July 1781 – 8 May 1829) was an Italian guitarist, cellist, singer, and composer. He was a leading guitar virtuoso of the early 19th century. In 1826 he performed in Portici before Francesco I and the Bourbon court. In this time, which we could call Giuliani’s Neapolitan period, he appeared frequently in duo concert with his daughter Emilia, who had become a skilled performer on the guitar. Toward the end of 1827 the health of the musician began to fail; he died in Naples on 8 May 1829. The news of his death created a great stir in the Neapolitan musical environment.
Source: Wikipedia
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I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
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