Bach, Johann Sebastian – Free Sheet Music and TABs for Classical Guitar
About JS Bach, Keyboardist and Composer
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations as well as for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of all time.
It is probable that his Lute music was written on the lute-harpsichord. Because that is an uncommon instrument, it is in modern times often performed on the guitar.
Beginner-Level Sheet Music by Bach
Early-Intermediate Sheet Music By Bach
Intermediate Sheet Music by Bach
- Bach, J.S. – Sleepers Awake
- Bach, J.S. – BWV 999 Prelude
- Bach, J.S. – Prelude in C Major
- Bach, JS – Arioso
- Bach, JS – Jesu, Joy of Man’s Desiring
- Bach, JS – Air on the G String
- Bach, JS – Bourree in Em
- Bach, JS – BWV 1007 Prelude
- Bach, JS – BWV 996 Allemande
- Bach, JS – BWV 997 Sarabande
- Bach, JS – Invention No. 1 for Two Guitars
- Bach, JS – Invention No. 10 for Two Guitars
- Bach, JS – Invention No. 13 for Two Guitars
- Bach, JS – Invention No. 3 for Two Guitars
- Bach, JS – Invention No. 4 for Two Guitars
- Bach, JS – Invention No. 7 for Two Guitars
- Bach, JS – Invention No. 8 for Two Guitars
- Bach, JS – Invention No. 9 for Two Guitars
Advanced Sheet Music by Bach
Tutorials and Full Courses
- Learn to Play Bach: Air on a G String on Classical Guitar (Premium Course)
- Learn how to play “Jesu, Joy of Man’s Desiring” (Premium Course)
- Play Prelude by JS Bach for Classical Guitar – Study Guide (Premium Course)
- Free Tutorial on BWV 1010 Bourree
- Learn to Play Bach: Bourree in E minor (Premium Course)
- Learn to Play Bach: Minuet in G (Premium Course)
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
Click here for a sample formula.
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