Ferrer, José – Free Sheet Music and TABs for Classical Guitar
- Ferrer, Jose – Charme de la Nuit – Op. 36 – Nocturne
- Ferrer, Jose – Ejercicio
- Ferrer, José – Free Sheet Music and TABs for Classical Guitar
- Ferrer, Jose – L’Étudiant de Salamanque
- Ferrer, Jose – Minuet No. 1
- Ferrer, Jose – Nocturne No. 1
- Ferrer, Jose – Op. 12 – Minuet No. 6
- Ferrer, Jose – Op. 17 – No. 1 – Allegretto
- Ferrer, Jose – Op. 4 No. 1 Valse
- Ferrer, Jose – Op. 44 – Nocturne
- Ferrer, Jose – Op. 5 – No. 4 – Pastorela
- Ferrer, Jose – Op. 5 No. 1 Allegro moderato
- Ferrer, Jose – Op. 5 No. 10 Mazurka
- Ferrer, Jose – Op. 5 No. 2
- Ferrer, Jose – Op. 5 No. 3 Valse
- Ferrer, Jose – Op. 5 No. 5 Valse
- Ferrer, Jose – Op. 5 No. 6 March
- Ferrer, Jose – Op. 5 No. 7 Mazurka
- Ferrer, Jose – Op. 5 No. 9 Valse
- Ferrer, Jose – Op. 8 – No. 1 Allegretto
- Ferrer, Jose – Op. 8 No. 2 Vals
- Ferrer, Jose – Op. 8 No. 3 Andante
- Ferrer, Jose – Op. 9 No. 1 Valse
- Ferrer, Jose – Op. 9 No. 2 Valse
- Ferrer, Jose – Op.8 No. 5 Mazurka
- Ferrer, Jose – Souvenir du quinze Août
- Ferrer, Jose – Tango No. 3
About José Ferrer, Guitarist and Composer
José Ferrer Esteve de Fujadas (in 19th-century France known as “Joseph Ferrer”) (13 March 1835 – 7 March 1916) was a Spanish guitarist and composer.[1] Ferrer was born in Torroella de Montgrí, Girona, and studied guitar with his father, a guitarist and collector of sheet music, before continuing his studies with José Brocá. In 1882, he left Spain for Paris in order to teach at the Institut Rudy and at the Académie Internationale de Musique, also becoming the official guitarist of the Comédie Française, and remained in Paris for 16 years.
Ferrer gave regular performances as a soloist. He taught at the Conservatori Superior de Música del Liceu in Barcelona from 1898 to 1901. Following a period of moving between Barcelona and Paris, he settled permanently in Barcelona in 1905, where he died.
Source: Wikipedia
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I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two other stellar teachers – one focused on the technical movements, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully.
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