Churchill guitar potential pdf
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Winston Churchill on How to Unlock Guitar Potential


Here’s a lesser-known fact: In addition to statesman and Nobel Prize-winning writer, Winston Churchill was also an accomplished impressionist painter. Hundreds of his paintings are displayed around the world in museums and private collections.

How could one man have mastered so many different fields?

According to this quote, the key is to simply keep going.

Discounting strength and intelligence, he believed that a continuous effort was more important.

And this is equally true of our musical practices.

We can inch forward at even the slowest pace. And so long as we continue forward, we’ll see results, like water eroding granite.

And note that Churchill cites “effort”. This means we need to stay challenged. Our practices can’t be too easy. We can’t spend all our time polishing what’s already shiny.

Instead, we need enough challenge to keep us engaged, but not so much we become disheartened.

Part of our job as practicing musicians is to find this perfect point of balance. Like competitive log-rollers, each day we try to stay upright and avoid spinning off in one direction or the other.

It’s empowering to know that strength and intelligence aren’t essential. Sure, they’re nice if we have them, but not required.

If we, as Rumi suggested, “sell our cleverness for bewilderment”, then each moment with our music becomes a sacred puzzle. Each day is an end unto itself. We plumb the depths of each movement and phrase with curiosity and wonder.

And over time, we unlock our potential: potential skill, potential appreciation, potential joy.


“Continuous effort, not strength or intelligence, is the key to unlocking our potential.”

Winston Churchill




allen mathews classical guitar

Hi, I’m Allen Mathews. 

I started as a folk guitarist, then fell in love with classical guitar in my 20’s.  Despite a lot of practice and work with teachers, I still couldn’t get my music to flow well.  I struggled with excess tension.  My music sounded forced.  And my hands and body were sore after playing.  I was frequently frustrated, and couldn’t see the way forward.  Then I studied with two stellar teachers –  one focused on the technical, and one on the musical.  In time, I came to discover a fundamental set of formulas and movements. These unlocked my playing, and brought new life and enjoyment to my practice. Now I help other guitarists find more comfort and flow in their music, so they play more beautifully.


Hi Allen, just wanted to provide some feedback. Since I've started doing the exercises [in The Woodshed program] my guitar is sounding a lot better, with fuller sound, less effort. Its as if I bought a new guitar or got a new pair of hands (or both). Amazing my friend. Thank you!


-Nusret Aydemir

Hi Allen,
First public performance ever! I am up to Level 1E in The Woodshed program. It is certainly mega helpful.


-Peter Graham


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