Superman on Facing the Impossible Guitar Tunes
Capricho Arabe, Asturias-Leyenda, La Catedral, Bach’s Chaconne….
These massive pieces of music can seem a million miles away. Given our current level, they may even appear impossible.
But there was time when even J. S. Bach was a lousy player. He had to start at the beginning like the rest of us.
The only difference between the best players in the world and a day-one beginner is time.
The research is in, and study after study has shown that time is the greatest indicator of skill-level.
But not all time counts equal. Time spent polishing what’s already shiny doesn’t count for much. Time spent challenging limits and honing abilities brings us steadily forward.
This second sort of time – focused, deliberate practice – takes willpower.
When we sit down to play, we can choose the easy path or the hard one. We can strum along to the tune we’ve played a thousand times before, or we can slowly work toward learning a new tune.
We can noodle around distractedly or we can do exercises with our best attention.
We can choose comfort and zero risk of failure, or we can choose to live on the constant edge of failure. We can challenge ourselves, fail, learn from the feedback, then go back for more.
Practicing well is to practice with intention, purpose, and awareness. When we (as Superman said) “summon the will” to spend our guitar-time in this way, we get better.
Along the way, we may have our doubts. We may not always feel like we’re making headway.
But eventually, we find ourselves picking up the tunes that used to seem impossible. With time and attention, it’s inevitable.
“So many of our dreams at first seem impossible. Then they seem improbable. And then, when we summon the will, they soon become inevitable.”
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
These warm-up and stretching exercises are helping me a lot! Because I’m a software developer I have to stay 8 hours typing on a computer keyboard, so I use my hands a lot during the day. At night, when I have some time to practice the guitar my hands and arms are usually in pain because they have been working a lot during the day, but I’ve found that doing the warm-up/stretching exercises in The Woodshed releases me from this pain and I’m then able to practice after doing them.
You are building a very interesting and working guitar course, because for what I’ve seen so far it really works!
-Ulysses Alexandre Alves
I practised your system for three days, and it solved the I-M alternation problem I had been struggling with since I undertook classical guitar three years ago. Many thanks!
Click the button to take a step towards an
organized, effective guitar practice. >>>