quote Robert Louis Stevenson
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Robert Louis Stevenson on planting seeds for the future

 G. K. Chesterton (The Man Who Knew Too Much, creator of the “Father Brown” character) said of Stevenson that he “seemed to pick the right word up on the point of his pen, like a man playing spillikins.”

But he just seemed that way. In truth, you don’t write classics like Treasure Island or Jekyll & Hyde without filling volumes with words that never see the light of day. Some days, things work. Other days they don’t.

Even the best of the best keep working. That’s why they’re the best. They focus more on the current challenge than on the “harvest”. They focus on the process, and let the results take care of themselves. Games are won one point at a time.

As guitarists, we have to do the same. Massage this chord. Finesse this melody. Try to relax through this tricky spot. It all happens in the moment. It’s always one note connecting to the next.

All we can do is show up and plant seeds. Every moment of attention and intention is a seed we plant. No matter if we’ve been playing for 30 years or 30 seconds. Our harvests are born of patient awareness and focus.

Of course we want to play the big piece. We want to ace the beautiful melody. We want the harvest. But all we can do is this: Put all that aside and focus first on one note, then another. Note by note, seed by seed.


 “Don’t judge each day by the harvest you reap but by the seeds that you plant.”

 Robert Louis Stevenson




allen mathews classical guitar

Hi, I’m Allen Mathews. 

I started as a folk guitarist, then fell in love with classical guitar in my 20’s.  Despite a lot of practice and schooling, I still couldn’t get my music to flow well.  I struggled with excess tension.  My music sounded forced.  And my hands and body were often sore.  I got frustrated, and couldn’t see the way forward.  Then, over the next decade, I studied with two stellar teachers –  one focused on the technical, and one on the musical (he was a concert pianist).  In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifullyClick here for a sample formula.


For the first time ever, I have achieved great tone on my acoustic guitars. I've been studying fingerstyle guitar and music theory for about one year now. Tonight is the first time, I feel quite satisfied with my ability to produce a nice clear tone when striking the strings with my right hand fingers. By following your training videos in the program, I'm gradually developing my fingerstyle playing ability. KUDOS to you, Allen Mathews.


-Joaquin Kenyon

I have lost my entire metallic sound while I am playing now. Even my single note practice sounds more melodious, less tinny. [The Woodshed technique practice] has made a major difference in my tone. Thank you.


-Harlan Friedman


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