Quote Pele
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Pele on practicing

 

Okay…. everything is practice…sure. But how exactly is “everything” practice? And practice for what?

My suspicion is that soccer/futbol legend Pelé was always observing how things moved. I bet he was always playing with balance and motion. These were the raw ingredients with which he created his magic, so it makes sense he wouldn’t limit them to the field.

But what about us? As normal people living our lives, going through our days, playing some guitar now and then, what does the “Everything is Practice” idea have to do with us?

Or maybe the a better question would be, “How can everything become practice?” or, “How can my guitar playing benefit from other activities throughout the day?”

Much of getting better at guitar has to do with learning to use the appropriate amount of tension at each moment. We usually use too much tension in some places and not enough in others.

So one way we can turn “everything” into practice is to notice how much tension we use to perform our everyday tasks, like…

  • Eating
  • Grooming
  • Driving
  • Surfing the web
  • Just sitting around

In each moment, we can observe how much tension we’re using in our hands, shoulders, face, wherever. And if it seems like more than necessary, we can release some of it.

Over time, this will allow us to do the same while we play guitar. Before we know it, we have a different way of moving and being on the guitar.

Guitar is complex, with many different things to think about. Tension usually goes unnoticed until it hurts. If we choose, mundane activities can become the training ground for effortless, fluid music-making. If we decide, everything is practice.


Everything is practice.

Pelé




allen mathews classical guitar

Hi, I’m Allen Mathews. 

I started as a folk guitarist, then fell in love with classical guitar in my 20’s.  Despite a lot of practice and schooling, I still couldn’t get my music to flow well.  I struggled with excess tension.  My music sounded forced.  And my hands and body were often sore.  I got frustrated, and couldn’t see the way forward.  Then, over the next decade, I studied with two stellar teachers –  one focused on the technical, and one on the musical (he was a concert pianist).  In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifullyClick here for a sample formula.


I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.


-Brian Davey

I came on board three months ago and I’m loving it more than ever. I have maintained my practice pattern. I’m sticking wholeheartedly with the program as written. That makes it easy to see what I NEED to work on rather than just playing the shiny places I’ve gone beyond…..I’ve learned to focus 100% on what I’m doing that very minute….I’m developing strength in my left hand...I spend time with the videos in the evenings and always find something more to help me. I’m not looking for info anywhere else. Everything I need is right here in The Woodshed. You say “Jump” and I say “How high.” I’m so grateful I found you. You speak in a language I understand.


-Gloria Mader


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