Marilyn Monroe on how to make something good even better
When we take on a complex skill such as learning the classical guitar, we’re bound to learn something that we need to change later.
It happens to us all. We do our best with what we know. But eventually we know more, and recognize new opportunities for improvement.
Some call it “creative destruction”. Some call it “breaking eggs to make an omelet”.
Some say that “what gets you out of Egypt won’t get you to the Promised Land”.
Eventually, we have to release what we know or do and start fresh with something different.
It can be hard to swallow. We may resist it. But if we’re honest, we usually know it’s for the best.
It’s tempting to mourn “lost time”, or feel it’s a setback.
But it couldn’t be any other way. We had to learn as we did to get to this point. And to move ahead, we may have to accept our limitations and “start over”.
But it’s not starting over. We bring all we’ve learned with us. We grow stronger for the new perspectives and challenges.
Sure, we may not sound as good for a little while, but this pulling back creates the momentum to thrust us forward to the next level and beyond.
We’re pruning. We’re culling. We’re winding the spring.
And to feel good about letting “things fall apart so better things can fall together”, we have to keep the big picture in mind.
It’s not about one piece of music. It’s not about being “right”, or being at a certain level (“I’m a Grade 6 player, so I’m beyond XYZ…”).
We live on a constant growth curve. The more we can stay objective and unattached, the more versatile and flexible we become.
Instead of protecting and guarding what we already know, we can open to new opportunities and ideas. We can take a childlike attitude of openness, and then make educated decisions based on honest review and experimentation.
There’s an age-old proverb that we can “never step in the same stream twice”, because the water has changed and so have we. We grow as musicians with any focused practice we do, even if we decide to go another route later.
“Sometimes good things fall apart so better things can fall together.”
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.
First public performance ever! I am up to Level 1E in The Woodshed program. It is certainly mega helpful.
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