Krispy Kreme on balanced practice
Vegetables, proteins, doughnuts. Now there’s a food pyramid to get behind!
As ridiculous as this quote sounds, there’s actually some deep truth within it. Or at least when we use it as a metaphor for guitar….
In our musical lives we have 2 main elements: practice and play.
- Play is for fun.
- Practice is to get better.
Too much play, and we find ourselves in a rut, doing the same things over and over.
Too much practice, and we risk feeling overworked and underpaid.
Practice should focus on solving specific, timely problems:
- master this right-hand pattern,
- connect these notes smoothly,
- switch between these chords in rhythm,
Practice is work. It demands focus and concentration. It takes all our attention, discipline and willpower.
And that’s great. Life is more meaningful with a challenging pursuit. Days are more satisfying when we get in a good, deep practice.
But sometimes we just need a doughnut.
All work and no play makes Jack a dull boy. And sometimes, the best course of action is to let go of all practice concerns and just take the guitar out for a spin.
- Play some old tunes at top speeds, never mind the mistakes.
- Strum and sing a song.
- Sight-read music you have no intention of learning.
- Lean back on the couch with legs crossed and noodle around.
- Do all the things we work so hard not to do in practice.
Just as doughnuts are a normal part of a healthy, balanced diet, goofing off and tinkering around are healthy parts of a balanced guitar practice. Maybe not every day, but when we feel the craving, there’s no harm in caving.
Doughnuts are a normal part of a healthy, balanced diet.
Brooke Smith, Krispy Kreme spokeswoman.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
Greetings from the UK. I would like to thank you for providing such an excellent resource. The effort and skill which has gone into creating this program is very evident. I started classical guitar a year or so ago with a teacher but was unable to commit to same time regular slots each week.
The Woodshed Program was exactly what I was looking for. I have found the site very intuitive and well structured and have taken your advice and started from the very beginning of the program whilst still practising some of the pieces I was already working on. It is clear that I will benefit greatly from these early technical studies. There were clearly weaknesses and gaps in my knowledge even though I am still at an early stage. Once again many thanks for the program and very best wishes.
These warm-up and stretching exercises are helping me a lot! Because I’m a software developer I have to stay 8 hours typing on a computer keyboard, so I use my hands a lot during the day. At night, when I have some time to practice the guitar my hands and arms are usually in pain because they have been working a lot during the day, but I’ve found that doing the warm-up/stretching exercises in The Woodshed releases me from this pain and I’m then able to practice after doing them.
You are building a very interesting and working guitar course, because for what I’ve seen so far it really works!
-Ulysses Alexandre Alves
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