bream banana guitar
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Julian Bream on banana fingers and showing up anyway

 

Julian Bream is one of classical guitar’s most colorful characters. He used to book all his own world tours and travel arrangements – by mail! Then he’d travel by train and boat to perform, learning the next season’s music as he went.

His upbeat attitude and love of music won fans everywhere he went.

This funny quote is typical Bream: honest, realistic, and willing to keep going.

In our own practices, it’s easy to get discouraged.

We may be having a crisis of faith, or just on a plateau (where all the good stuff really happens, though it doesn’t feel like it).

We may get busy and miss a few days, and feel like we’re backsliding.

We may look ahead and wonder if we’re up for the journey.

Bream fell a few years ago while out walking his dog and can no longer play. But he still studies music. He says he’s a much better musician now than he was 10 years ago (though he can’t prove it).

He told The Guardian, “The whole idea is that I believe it’s very good for one’s brain and muscular system to work in harmony. If you keep up your playing it just keeps things ticking over.”

The point is not to gain some goal or reach some pinnacle of accomplishment. Instead, the joy lies in showing up and spending the time. The point isn’t to play perfectly. We strive, but perfection is not the point. The point is just to sit down and play (even if our fingers are bananas and it’s an earplug job!)


“My fingers are like a bunch of bananas, so tonight’s concert in Aalst may well be an earplug job.”

Julian Bream




allen mathews classical guitar

Hi, I’m Allen Mathews. 

I started as a folk guitarist, then fell in love with classical guitar in my 20’s.  Despite a lot of practice and schooling, I still couldn’t get my music to flow well.  I struggled with excess tension.  My music sounded forced.  And my hands and body were often sore.  I got frustrated, and couldn’t see the way forward.  Then, over the next decade, I studied with two stellar teachers –  one focused on the technical, and one on the musical (he was a concert pianist).  In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifullyClick here for a sample formula.


I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.


-Brian Davey

I am a 61 year old physician, reconnecting with the classical guitar after a hiatus of nearly 40 years. After a couple of weeks [in the program], I’m now producing a much clearer, yet somehow more mellow and beautiful sound. It was really good to feel it happening in my hand, and that it felt more comfortable and somehow “right”, compared to the way I had played before (“curved picking”). The fog started to lift and I found that I was remembering more, and it felt great (also a bit of a relief!), giving me confidence to keep going. Thank you for making your course available - your love of music and the guitar shines through the teaching. I am very happy I found and registered with CGS.


-Brian Davey


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