How to Play (and Practice) Accents on Classical Guitar
Not all notes are created equal. In any piece of music, all notes are important. But some notes are more important to the melody than others.
Every day, we emphasize certain points when talking to each other. We bring attention to specific points so that we communicate more clearly.
In music, we do the same. We can bring attention to certain notes so we better communicate our musical ideas.
Sometimes, the composer tells us when to emphasize something. Other times we choose based on our understanding of the music.
Either way, accents are a wonderful way to add beauty and organization to our music.
What is an Accent?
An accent is an emphasis on a certain note.
Any time a note stands out from the note around it (intentionally or not!), we can think of it as accented.
Accents help to focus the listener’s attention. It tells the listener precisely on what they should focus.
When used well, we can make our music interesting, compelling, and even emotionally poignant.
Certain styles and genres often have recognizable patterns of accents that form the “flavor” of the music. For instance, a waltz and a polka may look similar on the page. But through the implied accents they become their respective styles.
However, when we allow notes to “pop out” unintentionally, we undermine the musical structure. Listeners may become confused or disinterested.
The Most Common Accent: Play the Note Louder
The most common form of accenting a note is to play that note louder than the notes around it.
When we see the accent sign in our music, this is generally what we should do.
Less Common Accent: Play the Note Quieter
By the same token, we can “pull back”, or become more quiet to bring attention to a note or passage.
We very often do this in speech. It prompts the listener to “lean in” and pay close attention.
Other Ways to Accent
Any note that draws attention to itself There are other ways to emphasize notes than simply the volume (dynamics).
Use Tone Quality
We can also accent a note by changing the tone quality.
Assume we have been playing in a very bright, metallic tone quality. We can create contrast by switching to a very warm tone quality.
Use Rhythm and Duration
The most common rhythmic accent is the “staccato” note, played very short and clipped. This is notated by a dot over or under the note head.
Another form of accent is called an “agogic” accent. This form of accent uses rhythm and the duration of the note to separate it from the notes around it.
Advanced tip: to make your rhythm more compelling, make a slight pause (stop the previous note) before tied notes or syncopations. Then play the tied or syncopated note a split-second late. This creates an agogic accent that creates interest and moves the music forward.
Accents By Pitch
Composers will often use note choice to bring attention to a specific note. Any “surprise” note is accented by virtue of its difference than the notes around it. It could also be higher than the other notes.
This can be a note in the melody, or it can be an unexpected harmony (chord).
Ornaments (trills, mordents, rolled chords, etc) can also be used to bring attention to certain notes.
In sheet music, these will usually be notated precisely, either with the notes written out, or using a specific symbol.
However, in some music traditions (such as baroque) or instruments (such as harpsichord, which only has one volume), players would use ornaments to direct attention and create drama.
The Last Resort Accent
Lastly, if subtlety is not your thing, you can effectively accent a note using the following method:
- Lean forward.
- Tilt your head to a 45 degree angle (down and to the side).
- Look your listener directly in the eye.
- Raise your eyebrows.
Very effective, if a bit heavy-handed.
The Secret to Good Accents (How to Play Accents on Guitar)
When we see an accent in our music, we could simply play that note louder.
However, if we are already playing loudly, the accent won’t stand out so much.
So instead of only playing the accent louder, it also helps to play the notes surrounding the accent quieter.
This takes some planning and strategy, but it creates a much more convincing effect. It also makes the music seem simpler to understand for listeners.
The Accent Trap: The Note Following an Accent
The most dangerous note (license to kill) is the one directly following an accent.
It’s very easy to allow the energy (muscle tension, momentum, finger velocity) of the accented note to carry over into the next note.
However, this ruins the effect of the accent. The accent is by definition different from the notes around it. So we weaken our accents by homogenizing them with the surrounding notes.
So in our pieces, we need to pay close attention and avoid this trap.
Practice Tips for Accents
We can practice accents as an exercise unto themselves. Using a single open string, we can work on the contrast of one note to the next.
Any scale, arpeggio, or other technical practice will also benefit from adding intentional accents. We usually choose a set pattern (i.e. accent every 4th note) and strive to play consistently in that pattern.
As always, go slow enough to maintain attention. And exaggerate the contrast between accented and unaccented notes.
One Last Musical Suggestion: Don’t Accent the High Note
One way to make everything you play more beautiful is to avoid accenting any note that is higher than both the note before and after it.
Accenting a high note creates an “arrival”, which stops the forward momentum of the musical line.
Occasionally, at the very climax of a piece, accenting the high note IS the best choice. But 95+% of the time, the better musical choice is to avoid accenting the high note. This is especially true mid-phrase.
Unfortunately, high notes on guitar “want” to pop out. It takes extra attention and control to subdue them. So you’ll often hear players at every level unintentionally accenting high notes.
Start Simple, and Get Into Practice
Eventually, you’ll be able to control each and every note you play. You’ll be in complete charge of the volume, the tone, everything.
One way to build your skills to that point is by practicing accents.
With all the variations and tips above, you may be tempted into the “plume of complexity”. Instead, just choose a simple exercise and work it into your daily practice.
There will be time for more complex practice later, if need be.
Hi, I’m Allen Mathews.
I started as a folk guitarist, then fell in love with classical guitar in my 20’s. Despite a lot of practice and schooling, I still couldn’t get my music to flow well. I struggled with excess tension. My music sounded forced. And my hands and body were often sore. I got frustrated, and couldn’t see the way forward. Then, over the next decade, I studied with two stellar teachers – one focused on the technical, and one on the musical (he was a concert pianist). In time, I came to discover a new set of formulas and movements. These brought new life and vitality to my practice. Now I help guitarists find more comfort and flow in their music, so they play more beautifully. Click here for a sample formula.
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